CRISTINA JOBS

Hyper-realistic sculpture

Cristina Jobs is a plastic artist who works on hyperrealistic sculpture, not only from an aesthetic and technical point of view but in her own and particular different way and style, always innovating. Her art focuses on sensations, impressions, feelings and visual impact on social issues, human rights and emotions, and it is inspired by all lifestyles through nature.

She uses hyperrealistic sculpture as a cultural means that allows transformation and, in this way, makes people aware of it. Through her works, the human being contemplates and admires the world, the self and others. She provides the viewer with a visual experience that favours the expression and communication of those whom she feels for and thinks about, trying to bequeath with art where conventional social and political approaches are unable to reach.

In the beginning, her work is clearly influenced by the genre of cinema, evolving later towards a more demanding and social style, always without losing the true “soul” of her works: the obsession to create fiction seen by the mind as true reality.

In 2015, she created the Babyclon® brand, which has become the world’s leading brand in the creation of silicone baby sculptures for collectibles. Even nowadays, Babyclon® is still the pioneering brand in the innovation of techniques and materials in this sector.

Her real name is Cristina Iglesias. However, recently, she changed her artistic name to Cristina Jobs. This has meant the initiation of a tough phase of anonymity and effort to get her artistic name and her signed works under her real name.

She is the creator of the collection of the hyperrealistic sculptures for public space “Dones de fang” (Women of clay). The first hyperrealistic, non-ephemeral public sculpture work in the world is making Cristina Jobs a pioneering artist in creating this new record.